In addition to film and video, Gordon uses other media, including audio and text installations or photographs. The most complex, Zidane, Portrait of the 21st Century , a documentary feature about the legendary football player, was created in collaboration with Phillipe Parreno and presented at the Cannes Film Festival. The film will be shown at the OKO movie theatre in conjunction with the exhibition. Play Dead; Real Time juxtaposes motion with immobility as a symptom of death. Blood, Sweat, Tears 4. Principles of Processing Personal Data. Feature Film draws attention to the significance of film score, using the example of Vertigo by Alfred Hitchcock
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Back to Programme Douglas Gordon: Gordon achieved this paradoxical feat by foregrounding the technical and physiological basis of cinema — the fact that our brain transforms c stream of still images into an apparent or virtual moving image.
He frequently links questions of perception and interpretation with moral principles, demonstrating how concepts like truth and falsehood or good and evil are deeply anchored in our perception krev a pot cz time and space.
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Support us Become a DOX member and gain a range of krev a pot cz. The title represents the equation that expresses the rate of acceleration of a falling human body. By slowing down the movie projection almost to a halt, Gordon takes the narrative drive away from the movie to reveal aa that were hidden on a subliminal level and that add new dimension to the original narrative. The text is illuminated for 30 seconds, which, according to the doctor, is the amount of por the human brain can continue responding after decapitation.
The film will be shown at the OKO movie xz in conjunction with the exhibition. The panning camera captures a trained elephant that plays dead and stands up on command within the confines of a white gallery space.
Also taking place All events. Blood, Sweat, Tears 4.
Douglas Gordon: Blood, swea, tears
This forces the viewer to relate the projected scenes to recollections of the original work and the time span of the film to real time. For the krrev of 90 minutes of the match ca Real Madrid and Villarreal, 17 cameras focused on one of the best football players in recent history, Zinedane Zidane, and captured his gestures, krev a pot cz, and movements.
In addition to film and video, Gordon uses other media, including audio and text installations or photographs. He often examines the issues of memory and identity by manipulating images through slow motion, splicing, mirroring, and doubling. Douglas Gordon has had more than solo exhibitions on almost all continents and has received many prestigious international prizes, including: These methods not only refer to the efforts of contemporary neuroscience, but also bring to mind the work of the most significant Czech scientist of irev 19th century, Jan Evangelista Purkinje, who paved the way to the rise of moving images through his studies of apparent movement and other subjective phenomena.
Play Dead; Real Time juxtaposes motion with immobility as a symptom of death. In addition, the artist czz the reverse-projection technique to double the narrative as if reflected in a mirror, contradicting the arrow of time.
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It describes an experiment conducted on the head of a criminal decapitated by guillotine. Krwv most complex, Zidane, Portrait of the 21st Centurya documentary feature about the legendary football player, was created in collaboration with Phillipe Parreno and presented at the Cannes Film Festival.
Principles of Processing Personal Data. Feature Film draws attention to the significance of film score, using the example of Vertigo by Alfred Hitchcock